McCoy, the ship’s irascible physician, would often say, “Dammit, Jim.” And in the larger realm, the original series delicately danced with NBC censors over everything from women’s costumes to racial, sexual and war references.īut the crossing of last week's linguistic frontier is an interesting case. He’d just lost someone dear to him in the most trying of circumstances.
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Kirk said on network TV in 1967, when that word was edgy. “Star Trek” has a long history of pushing boundaries, linguistic and otherwise. "I was really torn because hearing that word come from your childhood hero, Captain Picard, it throws you. That's the thing you want to feel," he told Collider.
"Everything you do as artists, as writers and actors, even as editors, is authenticity. The showrunner for " Star Trek: Picard " this season, Terry Matalas, said the F-word from Picard wasn't scripted but was a choice by Stewart in the moment. But regardless, cursing in the show is carefully debated & discussed in the room or on set. “It’s easy to hear that elevated British tone escaping the mouth of a gentlemanly Shakespearean actor and assume some elevated intellectualism,” he said, while acknowledging: “Criticism of its use is fair even if it just strikes a personal nerve - or if you’ve equated 'Trek' with more broader, family-friendly storytelling. Christopher Monfette, the Paramount+ show's co-executive producer, wrote an extensive and persuasive thread about the moment and why he believed it worked. Resorting to gutter language feels like a step backward since Star Trek's characters are meant to be better than this," John Orquiola wrote for the website Screen Rant on Sunday. "Part of Star Trek's appeal is the articulate way characters speak. Some complained that it cheapened the utopia that Gene Roddenberry envisioned, that humans wouldn’t be swearing like that four centuries from now, that someone as polished as Picard wouldn’t need such language. “Totally out of character,” said one post, reflecting many others. Over the weekend, “Star Trek” Twitter reflected that tension. And the online conversation that ensued illustrates the journey undertaken when a fictional character voyages from the strictures of network and syndicated television to high-end streaming TV. The whole thing was in keeping with the more complex, nuanced aesthetic of this decade’s “Star Trek” installments. Yes, he occasionally gets his hands dirty or falls apart.īut the Enterprise captain-turned-admiral stepped into a different place in last week’s episode of the streaming drama “Star Trek: Picard.” Now, he’s someone who - to the shock of some and the delight of others - has uttered a profanity that never would have come from his mouth in the 1990s: “Ten f-ing grueling hours,” Patrick Stewart's character says at one point during an intense conversation in which he expects everyone will die shortly. Yes, he was reckless as a callow cadet many years ago.
For nearly four decades, Jean-Luc Picard of “Star Trek” has largely been presented as genteel, erudite and - at times - quite buttoned up.
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